I love order and clarity and balance.
Next week I finally get some time to start building two new guitars.
The top on the left will become part of a close copy of a guitar constructed in 1968 by Manuel Hernandez y Victoriano Aguado. The top is redwood, I re-sawed it (by hand using a Disston rip saw) from a board that came from an old barn outside of Yosemite National Park and I was able to get only two good tops from that board. The original guitar had this asymmetrical bracing, this helps to center the fundamental mode (or tone) of the guitar on the bridge and will help make this guitar's sound carry to the back of a concert hall. Hernandez y Aguado are believed to have developed this style of bracing after seeing the inside of a guitar that was made by Jose Ramirez III in the early 1960's. I used this bracing on my guitar No. 5 with great success. This guitar will have Indian rosewood back and sides.
The top on the right is Englemann spruce and will have nearly parallel bracing, I got this style from a guitar made by the great Santo Hernandez in 1930. I expect great sound from this bracing, it should make for a very balanced and loud guitar. Masara Kohno used a variation of this design on some of his guitars, everyone who has played one of those Kohno guitars tells me that they were very loud and balanced. The back and sides for this guitar will be California laurel which was re-sawed from a board that I purchased at a redwood burl store about 30 miles north of Eureka, California.
Oh, the joy of being able to work on some thing so beautiful as a classical guitar!
Tuesday, November 12, 2013
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