Skip to main content

A New and Practical Chisel/Tool Rack

Woodworkers are pack rats of the highest order.

Scott Landis, The Workshop Book, 1991

I am in the middle of making two classical guitars, one is a close copy of a 1926 Domingo Esteso, the other one a close copy of Andres Segovia's famous 1912 Manuel Ramirez guitar. The Esteso style has a 640mm string length on a body smaller than the Ramirez style, almost three quarters of an inch shorter, and the Ramirez is fairly textbook, meaning that from the outside it looks like a 1912 Ramirez guitar. The inside is braced a little differently than the original, but the "fan" pattern of bracing was in use in the Ramirez shop at the time.

 The Esteso style guitar...


The 1912 Ramirez style guitar...

In all of this chaos of scraping down bindings, glueing on fret boards, making bridges, etc., I realized that I needed to rehabilitate my chisel-tool rack. There were chisels and pliers on the floor of the studio because there was no place to put them, a problem that needed a remedy.

The original rack was patterned after a French tool rack that was popular a few years ago, it worked but my tool collection had grown. You can read about the old rack elsewhere in this blog.

My solution to the problem was to add an extra rack on the bottom of the backing board.


The backing board is a piece of 1x12 pine that is 36 inches long.


The top rack is a piece of pine that I ripped to 2 7/8" wide, the bottom rack was ripped to 3 3/4" wide.  Both racks are attached with screws to the outside edges of the backing board, the different widths of the rack provide an offset from the rows of tools. When you remove a tool on the bottom rack the tool's handle and your hand have some clearance from the tools in the upper rack.




The holes are set 2 inches on center, this gave me 17 holes for each rack, the holes are 5/8" in diameter and were drilled on a drill press. The slots are about a 1/4" wide and cut with the help of the miter gauge on my table saw.

Simple and practical.

It holds most of the tools used on a daily at the ready. Does it need to be bigger? Yes, but I will deal with that when I complete my new workshop, for now this rack is good enough!

If you are wondering why there are three empty spots in the lower tool rack, it is because I haven't re-handled three new chisels I purchased from Luthier's Mercantile Inc., the empty space in the upper rack is for a pair of vintage PEXTO dividers that must have been on the workbench when I took the photo.

Here is a YouTube video of Kyle Throw, a young composer/classical guitarist, in Denver, Colorado, playing a spruce/granadillo guitar that I made for him! Enjoy!




Comments

Popular posts from this blog

How to Make a Traditional Froe Mallet

What holds the Holy of the Holies, what did Brahma become? Wood. Why will aspen always tremble? For the nails driven into the cross. What makes the color of wood? The soil it tastes. Cradle, fiddle, coffin, bed: wood is a column of earth made ambitious by light, and made of beauty by the rain.

Kim R. Stafford, Having Everything Right, 1986.

Rive, verb, to split
Shake, noun, a split in a piece wood. (Heart shake, ring shake)
Shake, verb, (Middle English), to split.

I know I should have been in the studio working on my back log of guitars, but the day was so nice and warm with a tall blue canopy, I couldn't stay inside. I decided that I needed to make a proper froe mallet. This style of mallet is traditional to northeastern California, primarily Tehama (where I'm from), Butte, Shasta and Plumas counties where making shingles by hand from sugar pines was an industry. I don't know if it was used in any other region along the Pacific Rim, other parts of the United States or even o…

Basic Hand Tool Kit for Making a Classical Guitar, Revised

Ours is really a simple craft.

James Krenov, The Impractical Cabinetmaker, 1979


So, you want to build a guitar.

Since the original post, Basic Hand Tool Kit for Guitar Making, click here to see it, is the most popular post on this blog, I thought I would revisit it and adjust it to what I am using now to make a classical guitar.

The first thing I recommend doing is to buy or borrow copies of the following books:

Guitar Making: Tradition and Technology, by William Cumpiano and Jonathan Natelson
Making Master Guitars, by Roy Courtnall
The Guitar Maker's Workshop, by Rik Middleton

These are required reading before you begin making a guitar.

Also required reading are these books by Roy Underhill:

The Woodwright's Shop
The Woodwright's Companion
The Woodwright's Workbench
The Woodwright's Apprentice


Why these books by Mr. Underhill? You will learn valuable wood working techniques if you make any of his projects. The dovetail joints used to join a drawer together are far mor…

The Guitar's Scale Length, Your Hand Size and a Chart

I will cite the case of a marvelous concert player, a Japanese lady who is barely 5 ft. tall and with hands that are real miniatures. She plays a 664 mm 10 string guitar and demanded that I build this guitar with an action 1 mm higher than normal, which she handles with incredible ease. This is serious study!


Jose Ramirez III, Things About the Guitar, 1990




Here is the hand size and scale length that I found on the forum at delcamp.com.

Thumb tip to pinky tip span of 250+ 664mm scale length
Thumb tip to pinky tip span of 230 to 250 656mm scale length
Thumb tip to pinky tip span of 210 to 230 650mm scale length
Thumb tip to pinky tip span of 190 to 210 640mm scale length
Thumb tip to pinky tip span of 170 to 190 630mm scale length
Thumb tip to pinky tip span of below 170 615mm scale length



Here is my flexible imperial/metric ruler.




Here is my hand properly placed on the flexible imperial/metric ruler.




Today my reach from little finger to thumb is 240mm. I should more or less be playing a…