Skip to main content

Capos/Cejillas - New Batch of Six Padauk Wood Capos!


Stocking Stuffers for Your Favorite Classical Guitarist!

This week has been dedicated to making 1970's retro style cejillas, or capos, for classical and flamenco guitars.

What makes them retro?

Traditional cejillas used leather straps to protect the guitar's neck from the string that goes around the next and is attached to the peg that tightens the string. In the 1960's and 1970's several capo makers in Spain put vinyl tubing over the string for protection. I think the vinyl tubing was used partly for economic reasons:  it is cheaper than leather and it makes assembling a capo go much faster, plus some of the capos being sold were made from Galalith, a material made from casein and formaldehyde, it looked like plastic and was used to make jewelry. The vinyl tubing went well with the look of the Galalith.

I use vinyl tubing because it allows me to assemble a capo much faster than using a leather strap.

I want to make affordable capos, every classical /flamenco guitarist deserves a wooden capo!






The bodies are padauk with East Indian rosewood pegs; neoprene face; vinyl tubing and the string is a LaBella brand 3rd guitar string. String colors are either black, gold or red.




These are my current capo shapes.

A is a very traditional shape, this shape dates to the late 1600's, early 1700's.

B and C are my interpretation of two shapes used by several traditional Spanish capo makers.

$30 for each capo, shipping and handling are extra.

Due to CITES (Council on International Trade of Endangered Species) regulations, I am unable to ship these capos outside of the United States because of the East Indian rosewood pegs. I don't make enough money off of these to warrant getting re-export certificates for each capo. I can make these capos with boxwood pegs.


Comments

Popular posts from this blog

How to Make a Traditional Froe Mallet

What holds the Holy of the Holies, what did Brahma become? Wood. Why will aspen always tremble? For the nails driven into the cross. What makes the color of wood? The soil it tastes. Cradle, fiddle, coffin, bed: wood is a column of earth made ambitious by light, and made of beauty by the rain.

Kim R. Stafford, Having Everything Right, 1986.

Rive, verb, to split
Shake, noun, a split in a piece wood. (Heart shake, ring shake)
Shake, verb, (Middle English), to split.

I know I should have been in the studio working on my back log of guitars, but the day was so nice and warm with a tall blue canopy, I couldn't stay inside. I decided that I needed to make a proper froe mallet. This style of mallet is traditional to northeastern California, primarily Tehama (where I'm from), Butte, Shasta and Plumas counties where making shingles by hand from sugar pines was an industry. I don't know if it was used in any other region along the Pacific Rim, other parts of the United States or even o…

The Guitar's Scale Length, Your Hand Size and a Chart

I will cite the case of a marvelous concert player, a Japanese lady who is barely 5 ft. tall and with hands that are real miniatures. She plays a 664 mm 10 string guitar and demanded that I build this guitar with an action 1 mm higher than normal, which she handles with incredible ease. This is serious study!


Jose Ramirez III, Things About the Guitar, 1990




Here is the hand size and scale length that I found on the forum at delcamp.com.

Thumb tip to pinky tip span of 250+ 664mm scale length
Thumb tip to pinky tip span of 230 to 250 656mm scale length
Thumb tip to pinky tip span of 210 to 230 650mm scale length
Thumb tip to pinky tip span of 190 to 210 640mm scale length
Thumb tip to pinky tip span of 170 to 190 630mm scale length
Thumb tip to pinky tip span of below 170 615mm scale length



Here is my flexible imperial/metric ruler.




Here is my hand properly placed on the flexible imperial/metric ruler.




Today my reach from little finger to thumb is 240mm. I should more or less be playing a…

Basic Hand Tool Kit for Making a Classical Guitar, Revised

Ours is really a simple craft.

James Krenov, The Impractical Cabinetmaker, 1979


So, you want to build a guitar.

Since the original post, Basic Hand Tool Kit for Guitar Making, click here to see it, is the most popular post on this blog, I thought I would revisit it and adjust it to what I am using now to make a classical guitar.

The first thing I recommend doing is to buy or borrow copies of the following books:

Guitar Making: Tradition and Technology, by William Cumpiano and Jonathan Natelson
Making Master Guitars, by Roy Courtnall
The Guitar Maker's Workshop, by Rik Middleton

These are required reading before you begin making a guitar.

Also required reading are these books by Roy Underhill:

The Woodwright's Shop
The Woodwright's Companion
The Woodwright's Workbench
The Woodwright's Apprentice


Why these books by Mr. Underhill? You will learn valuable wood working techniques if you make any of his projects. The dovetail joints used to join a drawer together are far mor…