Skip to main content

Making Wooden Capos/Cejillas for Classical/Flamenco Guitars

The musician that looks upon the capo as a cheater, becomes much more limited in his playing than the capo user.

Anders Sterner, musician


Thought you might be interested in a short post on how I make capos, or cejillas, for classical/flamenco guitars.




First thing I do is roundup some black and white strips of veneer; a piece of nice wood for the core and even pretty wood for the outside laminations.

I plane pieces to proper thickness, align in proper order and glue all pieces together.



Here are two capo templates I came up with, I copied historic original Spanish capo shapes, I draw these onto the block of wood I just created from the veneer, laminates and core. Then I drill holes for the violin pegs and have a violin/viola/cello peg reamer handy.



Here is a photo of a shop made violin peg shaver that I made. I use 1/2 size violins for the capos.



Once the violin pegs fit perfectly in their holes in the capos, I cut them to proper length, drill a hole in the peg shaft between collar and head of peg for the nylon guitar string. I cut the capos to match the template outlines, sand, buff and apply some linseed oil.



I use LaBella brand nylon flamenco guitar strings to attach the friction pegs to the capos. The string will run through a piece of vinyl tubing which will protect the guitar's neck. After the strings and pegs are attached I glue a strip of neoprene to the face of the capo. Once the glue has dried I trim the neoprene...


and have a whole handful of beautiful capos!

Yes, I have left out a few steps of how I make these handy little tools for a guitarist, I can't give away all of my secrets!

Comments

Popular posts from this blog

Off the Bench and For Sale: Miguel Rodriguez Style Guitar

This guitar has a Western Red Cedar top, Claro walnut back and sides, Royal ebony fretboard, Indian rosewood bridge and a 650mm string length.

This guitar has a beautiful voice and is loud! I was amazed at how loud it is as soon as I got the strings on and tuned to concert pitch. It is easy to play and I am blown away by the musical nuances that can be created with this guitar.

Please click on Guitars Currently Available or Studio Model to read more about this wonderful guitar!



1961 Hernandez y Aguado Style Classical Guitar, Redwood/Indian Rosewood, For Sale

The partnership of Manuel Hernandez and Victoriano Aguado was one of the most successful in guitar making history.

Roy Courtnall, Making Master Guitars, 1993

Please note that this guitar is currently for sale at Savage Classical Guitar. Please click here to see this guitar!

I made this guitar several years ago, but because of custom orders, I had to set it aside. I put strings on it two weeks ago and it is a most magnificent sounding guitar! It has good, clear separation string to string, wonderful sustain with evenness and balance throughout with a very lyrical voice. I originally made this guitar for myself, but someone with a good strong technique and a good understanding of musical interpretation should own this guitar and play it on a regular basis.



This guitar is a fairly close copy of a guitar made by Hernandez y Aguado in 1961. The body length is 480mm, most of the HyA guitars had a body length of 490mm; string length is 650mm, many were 655mm and longer; other than that I trie…

How to Make a Traditional Froe Mallet

What holds the Holy of the Holies, what did Brahma become? Wood. Why will aspen always tremble? For the nails driven into the cross. What makes the color of wood? The soil it tastes. Cradle, fiddle, coffin, bed: wood is a column of earth made ambitious by light, and made of beauty by the rain.

Kim R. Stafford, Having Everything Right, 1986.

Rive, verb, to split
Shake, noun, a split in a piece wood. (Heart shake, ring shake)
Shake, verb, (Middle English), to split.

I know I should have been in the studio working on my back log of guitars, but the day was so nice and warm with a tall blue canopy, I couldn't stay inside. I decided that I needed to make a proper froe mallet. This style of mallet is traditional to northeastern California, primarily Tehama (where I'm from), Butte, Shasta and Plumas counties where making shingles by hand from sugar pines was an industry. I don't know if it was used in any other region along the Pacific Rim, other parts of the United States or even o…