The musician that looks upon the capo as a cheater, becomes much more limited in his playing than the capo user.
Anders Sterner, musician
Thought you might be interested in a short post on how I make capos, or cejillas, for classical/flamenco guitars.
First thing I do is roundup some black and white strips of veneer; a piece of nice wood for the core and even pretty wood for the outside laminations.
I plane pieces to proper thickness, align in proper order and glue all pieces together.
Here are two capo templates I came up with, I copied historic original Spanish capo shapes, I draw these onto the block of wood I just created from the veneer, laminates and core. Then I drill holes for the violin pegs and have a violin/viola/cello peg reamer handy.
Here is a photo of a shop made violin peg shaver that I made. I use 1/2 size violins for the capos.
Once the violin pegs fit perfectly in their holes in the capos, I cut them to proper length, drill a hole in the peg shaft between collar and head of peg for the nylon guitar string. I cut the capos to match the template outlines, sand, buff and apply some linseed oil.
I use LaBella brand nylon flamenco guitar strings to attach the friction pegs to the capos. The string will run through a piece of vinyl tubing which will protect the guitar's neck. After the strings and pegs are attached I glue a strip of neoprene to the face of the capo. Once the glue has dried I trim the neoprene...
and have a whole handful of beautiful capos!
Yes, I have left out a few steps of how I make these handy little tools for a guitarist, I can't give away all of my secrets!