Skip to main content

The New Tool Shed

All sheds take longer to build than you may think.

David and Jean Stiles, Sheds, 2006




The new tool shed is finished - siding, roofing, windows and doors. It is 10'x12' in size, just barely big enough to hold what it needs to hold.

With the exception of the sub flooring, roof rafters and metal roofing, all material used to build this shed was recycled from the old workshop that I dismantled.



It's a shed because I didn't want to spend the time making a "standard" roof and I had a limited budget for materials. No lookouts on the "gable" sides, no soffit, no fascia boards, just a simple building to store tools and some lumber.



The sashes are made out of redwood, and yes, I know I didn't clean my fingerprints from the glass! It's an outbuilding, not Independence Hall, it doesn't have to be perfect. The wind and the snow this winter will clean the glass!



I made three shelves from 2x10 construction grade white fir boards and a workbench from 2x12 construction grade Douglas fir boards. Today or tomorrow I will start making some basic drawers for the workbench so I can store all the little tools, pliers, air hose fittings, etc., that will live in the shed.

This is also a good time for me to sort through many of the tools I acquired when I was a framing and finish carpenter, there are some tools in the tool boxes that I haven't used since 2005 when I walked away from the construction trade.


The lumber for the new workshop arrived yesterday. I am very excited to get started on framing "the old workshop", it will be the same size as the original, 14'x20'. It will be a shed with a 2/12 roof, fully insulated with a propane heater to keep the winter chill off of me and the tone woods.

I would start framing today, but the weather forecast is calling for 3-6 inches of snow tomorrow. I don't have to frame in bad weather anymore! Friday will find me in Colorado Springs, Colorado at the University of Colorado, Colorado Springs, talking to Colin McAllister's classical guitar students about classical guitar construction.

The wind is quite noisy today, mostly just a nice Continental Divide zephyr. Those of us who love living in the Colorado Rocky Mountains hardly ever refer to the wind as wind unless it is gusting to over sixty miles an hour.

Now, turn off your computer and get into your workshop!

Comments

  1. Very nice. It looks like ggod amount of light from the windows.

    ReplyDelete

Post a Comment

Popular posts from this blog

How to Make a Traditional Froe Mallet

What holds the Holy of the Holies, what did Brahma become? Wood. Why will aspen always tremble? For the nails driven into the cross. What makes the color of wood? The soil it tastes. Cradle, fiddle, coffin, bed: wood is a column of earth made ambitious by light, and made of beauty by the rain.

Kim R. Stafford, Having Everything Right, 1986.

Rive, verb, to split
Shake, noun, a split in a piece wood. (Heart shake, ring shake)
Shake, verb, (Middle English), to split.

I know I should have been in the studio working on my back log of guitars, but the day was so nice and warm with a tall blue canopy, I couldn't stay inside. I decided that I needed to make a proper froe mallet. This style of mallet is traditional to northeastern California, primarily Tehama (where I'm from), Butte, Shasta and Plumas counties where making shingles by hand from sugar pines was an industry. I don't know if it was used in any other region along the Pacific Rim, other parts of the United States or even o…

Basic Hand Tool Kit for Making a Classical Guitar, Revised

Ours is really a simple craft.

James Krenov, The Impractical Cabinetmaker, 1979


So, you want to build a guitar.

Since the original post, Basic Hand Tool Kit for Guitar Making, click here to see it, is the most popular post on this blog, I thought I would revisit it and adjust it to what I am using now to make a classical guitar.

The first thing I recommend doing is to buy or borrow copies of the following books:

Guitar Making: Tradition and Technology, by William Cumpiano and Jonathan Natelson
Making Master Guitars, by Roy Courtnall
The Guitar Maker's Workshop, by Rik Middleton

These are required reading before you begin making a guitar.

Also required reading are these books by Roy Underhill:

The Woodwright's Shop
The Woodwright's Companion
The Woodwright's Workbench
The Woodwright's Apprentice


Why these books by Mr. Underhill? You will learn valuable wood working techniques if you make any of his projects. The dovetail joints used to join a drawer together are far mor…

The Guitar Maker's Backsaw for Cutting Fret Slots

The overall correct process of placing frets in a guitar fingerboard ("fretting"), is far less straight forward than most people believe. A perfect job, for perfect playability, requires some careful preparation.

Anthony Lintner, guitar maker



Twenty five years ago, I bought my first fretting saw from Luthiers Mercantile. It was made in Germany and had a straight handle on it, basically it was a gent's saw.

First thing I did to the saw was to take off the straight handle and make a nice handle for it from some wonderful Claro walnut that came from a Cottonwood Creek bottom wild grown walnut. I used it to cut fret slots in dulcimer and classical guitar fret boards. The saw served me well for several years until I made the mistake of cutting some brass with it.

Well, I never did get around to sharpening the thing.

The blade is .015 of an inch thick with the teeth set at .022-.023 of an inch. I think it has 22 teeth per inch. It is a great saw and I was very sad to see that…