Skip to main content

1961 Hernandez y Aguado Style Classical Guitar, Redwood/Indian Rosewood, For Sale

The partnership of Manuel Hernandez and Victoriano Aguado was one of the most successful in guitar making history.

Roy Courtnall, Making Master Guitars, 1993

Please note that this guitar is currently for sale at Savage Classical Guitar. Please click here to see this guitar!

I made this guitar several years ago, but because of custom orders, I had to set it aside. I put strings on it two weeks ago and it is a most magnificent sounding guitar! It has good, clear separation string to string, wonderful sustain with evenness and balance throughout with a very lyrical voice. I originally made this guitar for myself, but someone with a good strong technique and a good understanding of musical interpretation should own this guitar and play it on a regular basis.



This guitar is a fairly close copy of a guitar made by Hernandez y Aguado in 1961. The body length is 480mm, most of the HyA guitars had a body length of 490mm; string length is 650mm, many were 655mm and longer; other than that I tried to stay as close to the original as possible. The headstock crown is a copy of HyA's work and if you look closely at the photo you can see that I recessed part of the face of the headstock and stippled it, like the original. The sound board is braced with a typical HyA asymmetrical bracing with an angled cutoff brace towards the treble side.


The soundboard is redwood that I re-sawed from a board that was salvaged from a barn that was located near Yosemite National Park. I estimate that the board I used was over 70 years old, the sound board is well aged and will continue to open up. The neck is Spanish cedar, it too is well aged, I was told the board it was sawn from was over forty years old. In the above photo you can see that the sides are laminated, the outside is East Indian rosewood and the inside is Alaska cedar. This is not something that HyA did on their guitars, I borrowed that idea from Jose Ramirez III.



As I said, the back and sides are East Indian rosewood, along with ebony binding that has curly maple purling. Ebony fret board, 52mm at the nut and 62mm at the 12th fret; the bridge is East Indian rosewood with a mother-of-pearl tie block covering.

Stop by the Guitar Foundation of America International Convention and Competition, June 20-25, 2016 in Denver, Colorado and visit me at my table in the Vendor Expo to play this wonderful guitar!

Comments

Popular posts from this blog

How to Make a Traditional Froe Mallet

What holds the Holy of the Holies, what did Brahma become? Wood. Why will aspen always tremble? For the nails driven into the cross. What makes the color of wood? The soil it tastes. Cradle, fiddle, coffin, bed: wood is a column of earth made ambitious by light, and made of beauty by the rain.

Kim R. Stafford, Having Everything Right, 1986.

Rive, verb, to split
Shake, noun, a split in a piece wood. (Heart shake, ring shake)
Shake, verb, (Middle English), to split.

I know I should have been in the studio working on my back log of guitars, but the day was so nice and warm with a tall blue canopy, I couldn't stay inside. I decided that I needed to make a proper froe mallet. This style of mallet is traditional to northeastern California, primarily Tehama (where I'm from), Butte, Shasta and Plumas counties where making shingles by hand from sugar pines was an industry. I don't know if it was used in any other region along the Pacific Rim, other parts of the United States or even o…

The New Workshop: New Roof, Snow, Rain, Sub-zero Temperatures

A snowflake is one of God's most fragile creations, but look what they can do when they stick together!

Author Unknown


Cold weather and snow delayed me in getting down the corrugate tin roofing on the new workshop. January 3rd proved to be a day of snow flurries and sunshine which at least allowed me to install the roofing. Then it snowed six inches.


The temperature fell to -5 degrees Fahrenheit and it kept snowing...


...until there was 22 inches of snow on the ground. And the temperature fell some more to register -14 degrees Fahrenheit on the thermometer.



Yesterday, the temps warmed up to 36 degrees Fahrenheit with the wind gusting up to 50 mph and we lost power for about two hours.

This morning we woke up to rain and warmer weather. I am very glad that I got the new workshop "dried in" before all this snow fell.



The high reached 40 degrees today with rain and snow flurries, there is a good six inches of slush underneath all the snow. No wind to speak of today, though…

Basic Hand Tool Kit for Making a Classical Guitar, Revised

Ours is really a simple craft.

James Krenov, The Impractical Cabinetmaker, 1979


So, you want to build a guitar.

Since the original post, Basic Hand Tool Kit for Guitar Making, click here to see it, is the most popular post on this blog, I thought I would revisit it and adjust it to what I am using now to make a classical guitar.

The first thing I recommend doing is to buy or borrow copies of the following books:

Guitar Making: Tradition and Technology, by William Cumpiano and Jonathan Natelson
Making Master Guitars, by Roy Courtnall
The Guitar Maker's Workshop, by Rik Middleton

These are required reading before you begin making a guitar.

Also required reading are these books by Roy Underhill:

The Woodwright's Shop
The Woodwright's Companion
The Woodwright's Workbench
The Woodwright's Apprentice


Why these books by Mr. Underhill? You will learn valuable wood working techniques if you make any of his projects. The dovetail joints used to join a drawer together are far mor…