Skip to main content

Miguel Rodriguez Style Guitar - The Last Guitar of the Season

It is easy to create a mystique about guitar making. There must be something magical about a process that constructs a wooden box, stretches some strings across it, and persuades delectable sounds to come from it.

Colin Cooper, The Classical Guitar Book, 2002


Back in January or February, I made the neck for this guitar. I jointed and glued the western red cedar top about the same time and installed the rosette.

Some where in this blog are postings of when I made the three piece back and when I split out the braces for the top.

I bent the sides last week.

All this was done so I can assemble this guitar by Saturday, the last guitar of the season. I go back to my day job as a historic preservation carpenter on April 28th, after that I will continue to work on this guitar and three other guitars as I can make time.




This guitar is braced in the manner that was used by Miguel Rodriguez,Sr. and his sons, Rafael and Miguel. Those of you familiar with Rodriguez guitars will notice that I did not include the diagonal brace that was on many of the Rodriguez guitars after, say, about 1963.

Click here to see plans of a 1977 Rodriguez to see the diagonal brace I am talking about and click here to read an article by Ron Fernandez on Rodriguez flamenco guitars.

In that article, Mr. Fernandez mentions that when he was in the Rodriguez workshop in the early 1960's he noticed that none of the classical guitars had the Jose Ramirez III inspired diagonal brace.

The point I am trying to get at is I want to make guitar that will be close to that earthy Spanish sound from the 1960's, a sound I remember hearing on the recordings of Andres Segovia and Narciso Yepes when they both played Ramirez guitars, not to mention the sound of the Rodriguez guitar that Pepe Romero used on his recordings in the early 1970's.




I graduated the cedar top as close as I could to the specifications that are on the plans of the 1977 Rodriguez guitar drawn by Tom Blackshear - 2.6mm in the center of the top, then falling off to 2.5mm, 2.4mm and finally 2.3mm along the outside edge of the top.

The "fan" braces are close to the dimensions in the plan, however, I am leaving the transverse braces (the braces top and bottom of the sound hole) rather tall in the manner of Santos Hernandez. I am looking for a big bold sound from this guitar, a sound that will bounce off back wall of an auditorium and I want it to sing like the best coloratura mezzo soprano so your heart melt.

Right now I am waiting for the glue to harden on the end block, sometime after lunch I should be able to start fitting on of the sides. Once the sides are on then I can install the back, after that I will work on it as I can. If I don't get to it this summer or fall it will part of my winter's work.

Winter work that I am looking forward to doing.



Comments

  1. Winter isn't a season it's an occupation

    Sinclair Lewis

    ReplyDelete

Post a Comment

Popular posts from this blog

Off the Bench and For Sale: Miguel Rodriguez Style Guitar

This guitar has a Western Red Cedar top, Claro walnut back and sides, Royal ebony fretboard, Indian rosewood bridge and a 650mm string length.

This guitar has a beautiful voice and is loud! I was amazed at how loud it is as soon as I got the strings on and tuned to concert pitch. It is easy to play and I am blown away by the musical nuances that can be created with this guitar.

Please click on Guitars Currently Available or Studio Model to read more about this wonderful guitar!



1961 Hernandez y Aguado Style Classical Guitar, Redwood/Indian Rosewood, For Sale

The partnership of Manuel Hernandez and Victoriano Aguado was one of the most successful in guitar making history.

Roy Courtnall, Making Master Guitars, 1993

Please note that this guitar is currently for sale at Savage Classical Guitar. Please click here to see this guitar!

I made this guitar several years ago, but because of custom orders, I had to set it aside. I put strings on it two weeks ago and it is a most magnificent sounding guitar! It has good, clear separation string to string, wonderful sustain with evenness and balance throughout with a very lyrical voice. I originally made this guitar for myself, but someone with a good strong technique and a good understanding of musical interpretation should own this guitar and play it on a regular basis.



This guitar is a fairly close copy of a guitar made by Hernandez y Aguado in 1961. The body length is 480mm, most of the HyA guitars had a body length of 490mm; string length is 650mm, many were 655mm and longer; other than that I trie…

Late Summer, Early Fall and a Spruce/Ziricote Classical Guitar

Thus begins what many residents feel is the Southern Rockies' most beautiful time of the year - Indian summer.

Audrey DeLella Benedict, The Southern Rockies, 1991


It is sunny today with bluebird skies highlighting the golds and oranges of the aspen trees.

Fog covered our little hollow all day yesterday, the sun came out at exactly 4:45pm and shone upon us for fifteen minutes, then the clouds came back.



The aspens and ferns in the backyard...



A few wildflowers are blooming, like this harebell...


Our little flower garden is going to seed...



I dropped six ponderosa pine on our property last week for firewood and fire mitigation, as you can see I have much work to do splitting and stacking the firewood.


This is the latest guitar on the bench, a 1961 Hernandez y Aguado style guitar, with a Colorado Engelmann spruce top...



and ziricote back and sides.

I am in the process of pore filling, later this week I will start the French polish.

It has an incredibly loud tap tone, it will be wond…