Skip to main content

Santos Hernandez Style Classic Guitar - Late Night Work

The classic guitar is a difficult and demanding instrument. There are no short cuts.


Vladimir Bobri, The Segovia Technique, 1972



I got back to work on a close copy of a 1930 Santos Hernandez guitar yesterday by glueing on the so called "fan bracing", as you will notice, these braces are nearly parallel to each other, and the transverse braces to the top.

When I got up this morning I un-cinched the clamps and discovered that the top had a definite twist to it.

Hmm. Bad glue up technique on my part and the humidity had dropped from 39% to 29% overnight, not good for a guitar top or my nerves. That is the problem with working at lutherie this time of the year, especially during and right after a big snow storm, the relative humidity can really drop. The humidifier can't keep up.



I needed to run errands this morning, when I got back I split the transverse braces off the top and shaved the remnants down to the glue.

Then I made new braces.

I clamped the top down to the work board and glued on transverse brace number one, once the glue was set then I glued on the wide flat brace closest to the neck.

After that, time to walk the dogs and make dinner.




The brace below the sound hole has a 1/16th of an inch arch to it to help dome the top.

Doming the top gives the guitar a real voice, one that has volume and character. It's like a drum head, you want it tensioned to be loud.

When I glue this brace on I usually use two slats as backing cauls and a C clamp at each end. Then I push two shims in between the slats to force the top to the brace and the glue.

This action is what can cause twisting.

Tonight, I used the slats, but I started by clamping in the middle, the a C clamp on each side of the Quik Grip, and continued on down to the ends of the brace.

I couldn't see any twisting or winding to the top.




Then it was a little trim work on some laminated all walnut cam clamps, which I should work on tomorrow..




and then double check the neck. If all goes well I can bend the sides tomorrow and attach the top to the neck.




Now it's bed time.

It's not that late, maybe nine o'clock, but I never could work late into the night, even in college I couldn't work on term papers past 11pm. Back then I had an electric typewriter that could erase the last ten words that you typed, I thought I was lucky to have such a beast.

Still, I have a jar full of incense cedar bodied pencils that are more fun to use than any computer.

Comments

Popular posts from this blog

Off the Bench and For Sale: Miguel Rodriguez Style Guitar

This guitar has a Western Red Cedar top, Claro walnut back and sides, Royal ebony fretboard, Indian rosewood bridge and a 650mm string length.

This guitar has a beautiful voice and is loud! I was amazed at how loud it is as soon as I got the strings on and tuned to concert pitch. It is easy to play and I am blown away by the musical nuances that can be created with this guitar.

Please click on Guitars Currently Available or Studio Model to read more about this wonderful guitar!



1961 Hernandez y Aguado Style Classical Guitar, Redwood/Indian Rosewood, For Sale

The partnership of Manuel Hernandez and Victoriano Aguado was one of the most successful in guitar making history.

Roy Courtnall, Making Master Guitars, 1993

Please note that this guitar is currently for sale at Savage Classical Guitar. Please click here to see this guitar!

I made this guitar several years ago, but because of custom orders, I had to set it aside. I put strings on it two weeks ago and it is a most magnificent sounding guitar! It has good, clear separation string to string, wonderful sustain with evenness and balance throughout with a very lyrical voice. I originally made this guitar for myself, but someone with a good strong technique and a good understanding of musical interpretation should own this guitar and play it on a regular basis.



This guitar is a fairly close copy of a guitar made by Hernandez y Aguado in 1961. The body length is 480mm, most of the HyA guitars had a body length of 490mm; string length is 650mm, many were 655mm and longer; other than that I trie…

How to Make a Traditional Froe Mallet

What holds the Holy of the Holies, what did Brahma become? Wood. Why will aspen always tremble? For the nails driven into the cross. What makes the color of wood? The soil it tastes. Cradle, fiddle, coffin, bed: wood is a column of earth made ambitious by light, and made of beauty by the rain.

Kim R. Stafford, Having Everything Right, 1986.

Rive, verb, to split
Shake, noun, a split in a piece wood. (Heart shake, ring shake)
Shake, verb, (Middle English), to split.

I know I should have been in the studio working on my back log of guitars, but the day was so nice and warm with a tall blue canopy, I couldn't stay inside. I decided that I needed to make a proper froe mallet. This style of mallet is traditional to northeastern California, primarily Tehama (where I'm from), Butte, Shasta and Plumas counties where making shingles by hand from sugar pines was an industry. I don't know if it was used in any other region along the Pacific Rim, other parts of the United States or even o…